Lyrics Emily You Know I'm Onto You
Emily Warren invites us into her world with debut album 'Serenity Your Mind,' a combination of feel-good pop and lyrics that comfort.
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Due eastmily Warren came to prominence through her songwriting credentials, a force backside chart-topping artists including Dua Lipa, Jessie J and Sean Mendez. Her frequent collaborations with The Chainsmokers, writing and singing on tracks such as "Don't Let Me Down" and "Side Effects" brought a voice and confront to her name while subsequent touring with the duo enabled farther immersing in the musical surroundings.
Final year, Warren took songwriting and recording into her ain easily while releasing a serial of solo singles including the piano-driven ballad "Something to Concord on To" and "Poking Holes," an upbeat reminder to address life'south challenges earlier they amount to the unattainable. Her debut anthology, Quiet Your Mind (released 5 October) is an outgoing blend of gentle pop, catchiness, and an honest sugariness that evokes listening to a best friend express their inner emotions on a relaxed sunny afternoon.
"Simply Click", for example, is easy-going and tuneful, Warren's soulful vocals guiding the mode over an intimate billowy tune. "Not Set to Trip the light fantastic toe" is equally as intimate with the tiresome plucking pace forming a bed on which Warren's reflectiveness lies. Furthermore, "The Point", daydreamy and playful in sound, sums up a bulk of the album when request: 'what if the point is him? and what if the point is not? what if in that location's nada left to effigy out?'
Quiet Your Mind is a way of coming to terms with these matters and doing and then in a fashion that feels very naturally of-the-moment. Listeners are welcomed into Emily Warren's world, as opposed to the one she co-creates with other artists, and it's one of personal human relationship tales, gathered emotions, and the musical influences ingrained in her songwriting arroyo. Hither she chats with Atwood Magazine nigh the making of Quiet Your Mind, its lyrics, and the impression she hopes people will get from it.
A CONVERSATION WITH EMILY WARREN
ATWOOD MAGAZINE: HI EMILY, Allow'S START WITH YOUR CAREER And then FAR As A SONGWRITER. I Recollect Information technology'S INTERESTING Because THE PROFESSION Tin Feel A Niggling Scrap MYSTERIOUS, Like SOMETIMES Information technology'Due south Merely And so Like shooting fish in a barrel TO Presume THAT THE NARRATIVE AND EVERYTHING ALL BELONGS TO THE PERSON SINGING. HOW WAS YOUR FIRST SONGWRITING ROLE SECURED? DID YOU KNOW SOMEBODY, DID Y'all Apply, OR WERE YOU APPROACHED?
Emily Warren:I actually was sort of pushed into a collaborative writing session when I was in college by someone who was managing me at the time. My first ever session was with Scott Harris and we just totally hit it off. We starting writing a bunch and I decided to give it a real go and put my own artist stuff on the back burner. Once I had a few songs, I started sending them off to anyone whose electronic mail I could discover and concluded up sending them to an A&R named Rhea Pasricha who I had met a couple years earlier when she found my band on myspace. She had just switched over to Prescriptions songs and shortly later on she signed me. Information technology was all a whirlwind and pretty surreal but afterward that I dove head first into the writing and roughshod in honey with it.
WHAT DOES THE Process OF WORKING WITH OTHER Pop STARS ENTAIL? IS Information technology VERY COLLABORATIVE, SITTING IN A ROOM AND WRITING WITH THEM, OR DO YOU TEND TO Take A Conversation TO GET INTO THEIR MINDSET AND So Become AND WRITE INDEPENDENTLY?
Emily Warren: Information technology's actually parts of both. And information technology differs artist to creative person. But generally I become in the room, take a long conversation and try and run across where they're at and what's going on and after everyone is comfortable nosotros commencement putting those ideas into a song. I definitely honey working with artists who want to collaborate though, it makes information technology a lot easier to write something that'due south personal to them and 18-carat.
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IN THE LAST INTERVIEW YOU DID WITH ATWOOD Magazine Back IN JANUARY YOU SPOKE OF YOUR Relationship WITH MUSIC GROWING UP: HOW Y'all DAD WAS VERY MUSICAL AND HOW ONCE YOU DISCOVERED THE PROFESSION OF SONGWRITING YOU BECAME Really FOCUSED ON STRUCTURE, LYRICS, AND Tune OF THE Song YOU WERE LISTENING TO. WHAT KIND OF MUSIC WERE Yous LISTENING TO AND CAN YOU GIVE Whatever EXAMPLES OF SONGS You lot'VE DISSECTED THAT HAD AN IMPACT ON YOU?
Emily Warren: Hell yes. Probably every single John Mayer vocal. I admittedly love the way he tells a story and I discover that his melodies always compliment the lyrics in tone and emotion. He's 1 of my biggest influences for sure. Across that, I've always loved Ella Fitzgerald and The Great American Songbook. Those songs are so sweetness and the structure is really interesting. There's often a twist or a punch line at the very stop that you accept to listen to the whole vocal for.
From Hits to Centre: A Conversation with Emily Warren
:: INTERVIEW ::
I LOVE WHEN MUSIC CAN CATCH YOU Like THAT. YOUR SOLO WORK IS OBVIOUSLY VERY REPRESENTATIVE OF Yous AND THE LYRICS Run across Equally Really PERSONAL WITH THEIR FOCUS ON RELATIONSHIPS AND HONESTY. HAD Yous BEEN WRITING THESE THINGS Downwards OVER THE YEARS WHILE WORING WITH OTHER ARTISTS OR WAS In that location A MOMENT WHEN YOU WERE Similar 'OK Now I'Chiliad GOING TO SIT DOWN AND Allow OUT ALL THESE PERSONAL THINGS FOR MYSELF'?
Emily Warren: There are two songs, "Merely Click" and "Not Ready to Trip the light fantastic toe", which I actually wrote back before I had really decided to practise an artist project. Whenever someone showed interest in them or wanted to cut them, I was super hesitant. That's when I realized it was time to put my ain music out. After that we set up some time bated specifically for writing the album. I like to continue writing for myself and others pretty separate.
HAVING WRITTEN FOR A LOT OF Popular PEOPLE, SUCH AS DUA LIPA, CHARLI XCX, AND YOUR COLLABORATIONS WITH THE CHAINSMOKERS, Y'all MUST HAVE AN UNDERSTANDING OF THE MUSICAL INGREDIENTS THAT Go INTO MAKING A SUCCESS. IS In that location ANYTHING YOU'VE CONSCIOUSLY BROUGHT FORWARD INTO THE MAKING OF YOUR ALBUM?
Emily Warren:I think inherently the album has pop melodies and structure but because thats how I'm used to writing. That being said, I've really tried to abandon the expectations I hold when I'm writing for popular specifically, which has been challenging, only this album is really just creative expression and a real outlet for me.
ARE THERE ANY LYRICS ON THE ALBUM THAT ARE Actress IMPORTANT TO YOU, MAYBE DUE TO THEIR MEANING OR THE Style THEY WERE WRITTEN?
Emily Warren:The lyrics on "Not Ready to Dance" and "Just Click" are some of my favorite lyrics I've ever written. I wrote them both with Scott Harris and I'grand really proud of the story telling. If you focus on the lyrics they take you on a whole journey.
THROUGHOUT THE Anthology THERE'S A SENSE OF DEPENDENCE UPON A LOVED ONE. THE LYRICS IN "SOMETHING TO HOLD ON TO," FOR EXAMPLE, Beingness 'SORRY I SQUEEZE TO TIGHT, I Actually Promise YOU KNOW/ THE REASON THAT I'M SCARED TO LET YOU GO IS/ I'M GONNA NEED SOMETHING TO Concord ON TO.' ARE In that location THINGS YOU FEEL THAT CAN Exist EXPRESSED THROUGH SONGWRITING THAT CAN'T IN PERSON? PERHAPS Past WRITING IT Down OR PUTTING Information technology INTO MUSIC MAKES IT MORE REAL.
Emily Warren: Hell yes. There were a lot of truths that came out in my human relationship through the songs. I think when writing you take to exist really clear and thoughtful because you lot but have so many lines and I'm actually attack having every line exist true and honest. So I definitely get myself in a state when I'm writing where I tin can say things more eloquently than I might exist able to when I'm merely spitballing.
WOULD You lot BE ABLE TO Requite AN INSIGHT INTO THE MAKING OF THE ALBUM, SUCH Every bit ITS RECORDING, WHAT THE SESSIONS WERE Similar, AND ANY DEVELOPMENTS THAT MAY HAVE BEEN Made IN THE PROCESS?
Emily Warren: Aye, we actually spent a calendar week in Hawaii writing most of these which was really dope. It was a calendar week of pond in the body of water and making music which is obviously the dream. A lot of the demo vocals that I cut that week ended upwardly making the tape but after that, since nosotros all live in different places, there was only a bunch of sending the songs back and along and tweaking product and getting them correct. From then on, it's merely getting all the visuals and everything else together.
SIMILARLY, YOU Piece of work WITH OTHER PEOPLE ON THE Album: SCOTT HARRIS, BRIT BURTON, MAC & PHIL. WHAT INPUT DID THEY Have IN THE MAKING OF THE SONGS?
Emily Warren:I definitely could not have made this anthology without them. They're some of my favorite writers/producers on the planet and beyond that we're all friends so it's but an accented joy making music with them. We've experienced a lot together so when information technology comes to writing my story they kind of know well-nigh of what's been going on with me so it's a really comfortable and fun process.
MANY OF THE SONGS HAVE A VERY Like shooting fish in a barrel-GOING, SUNNY VIBE- "As LONG As I'M ALIVE" AND "THE POINT." OR THERE'S A SILKY SMOOTH (YOUR Vocalism!) STRIPPED BACK TENDERNESS- "Not READY TO Dance" AND "Just CLICK." BECAUSE OF THIS, "LIKE THAT" IS Like A Outburst OF ATTITUDE, A KIND OF NO-NONSESE GUIDE TO DEALING WITH A PROBLEMATIC GUY. WHEN It COMES TO EMPOWERING AN INDIVIDUAL, WHAT Do Y'all Experience GOES INTO A Vocal TO Accomplish THIS?
Emily Warren:I know I'm beating a dead horse but I actually believe that if I write honestly and make sure what I say genuinely lines up with my morals and beliefs then it tin can take an empowering message. I think morals get lost when people write from a foreign perspective. That'due south largely why it'due south important to have, for example, a female person writer in the room when writing for female person artists etc.
FINALLY, WITH THIS BEING YOUR Showtime SOLO RECORD, WHAT DO YOU HOPE PEOPLE Have AWAY FROM It IN REGARDS TO YOU AND YOUR MUSIC?
Emily Warren:I fell in dearest with music considering information technology comforted me when I needed it the near. You know when y'all hear a vocal and it sounds similar the artist is singing nigh you? Telling your story? I've e'er believed that that springs from people writing from a really vulnerable place, and so that's what I actually tried to do with this record, in hopes of providing some comfort and paying what music has washed for me forward to anyone that needs information technology and connects with it.
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Placidity Your Mind – Emily Warren
From Hits to Heart: A Conversation with Emily Warren
:: INTERVIEW ::
Source: https://atwoodmagazine.com/ewqm-emily-warren-quiet-your-mind-interview/
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